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- <text id=90TT0587>
- <title>
- Mar. 05, 1990: And What About The Truth?
- </title>
- <history>
- TIME--The Weekly Newsmagazine--1990
- Mar. 05, 1990 Gossip
- </history>
- <article>
- <source>Time Magazine</source>
- <hdr>
- PRESS, Page 52
- And What About the Truth?
- </hdr>
- <body>
- <p>By Carl Bernstein
- </p>
- <p> The Trump story may be the Three Mile Island of journalism:
- a meltdown waiting to happen. We've all known for years that
- the journalism business was on the verge of blowing its top.
- Now it's been done in full view of the country. We have seen
- supposedly responsible newspapers give over Page One to Donald
- and Ivana Trump on the same day that Nelson Mandela returned
- to Soweto and the Allies of World War II agreed to the
- unification of Germany.
- </p>
- <p> Our pervasive celebrity culture, fueled by a smarmy sort of
- New Journalism, has made Liz Smith, "Page Six" and Suzy more
- important to the identity and future of the Daily News and the
- New York Post than a dozen Pulitzer prizewinners.
- </p>
- <p> That is not to say that the breakup of the Trump marriage
- isn't a story. It is, and it is appropriate to have a little
- fun with it. After all, the Trump saga--the ascendancy of
- Donald Trump as a business power, of Mr. and Mrs. Trump as
- social doyens--has been a masterwork of media manipulation
- and self-promotion, abetted by a celebrity-worshiping press
- corps. But to watch a purportedly serious newspaper like
- Newsday report breathlessly in its lead story that "hotel
- records show that Maples paid no bills" is to discover where
- priorities in the news business are heading these days.
- </p>
- <p> Donald Forst, Newsday's New York editor, explained that the
- war of the Trumps has riveted the media's attention "because
- it revolves around lust, power, money, sex. A man who was
- successful, who's written books or had books written for him,
- and now he's got a little mud on his shoes. People just lap it
- up."
- </p>
- <p> Note the phrase "a little mud on his shoes," because it
- represents an attitude held by editors and reporters who should
- know better. They have created two standards in their
- newspapers and broadcasts: one for real news, in which "a
- little mud on somebody's shoes" is treated like a little mud,
- no more, no less, within the context of that person's life and
- work. Then there are the values of the gossip/celebrity press,
- a netherworld of journalism in which flacks and hacks operate
- in a manner that would never be tolerated in the rest of the
- paper or broadcast. Fairness, accuracy and balance are
- abandoned in the cause of titillation.
- </p>
- <p> The Trump story has been a media circus: Barbara Walters
- raising her glass to toast Ivana. Only in this atmosphere does
- it seem unsurprising that a Cardinal of the Roman Catholic
- Church (John O'Connor of New York) would publicly discuss the
- pastoral visit of one of the separating partners in a marriage.
- CARDINAL TO TRUMPS: PRAY, chimed Newsday on Page One. People
- who choose to share their private lives with gossip columnists
- and debate the terms of their divorce in newspapers get what
- they deserve.
- </p>
- <p> So what, one might ask, if Liz Smith has acknowledged that
- she sometimes doesn't check the accuracy of her items? So what
- if in her column she dispenses advice to Ivana and can't keep
- straight if she is friend or journalist? So what if Suzy claims
- to have attended a party when she did not? So what if in the
- nitwit pantheon of gossip Claus Von Bulow, Sydney Biddle
- Barrows and Jessica Hahn are celebrated in the same tones as
- people of genuine accomplishment?
- </p>
- <p> The answer is that readers and viewers are going to
- conclude, not unreasonably, that the same wacko standards are
- infecting the rest of the paper or magazine or broadcast.
- </p>
- <p> Which gets to perhaps the central fact about today's excess
- of gossip and celebrity journalism: it is contemptuous of
- readers and viewers. It says they are incapable of dealing with
- real news and that they must be fed Pablum and given the
- illusion that they are vicariously participating in important
- stuff. It is also about class: a nouveau celebrity class
- applauded less for achievement than for the mere acquisition
- of money or the act of becoming famous. I suspect that the
- pre-eminence of this type of gossip and celebrity journalism is
- not unrelated to the private frustrations and envy of the people
- who write it: the desire for importance and participation in
- a world they perceive as glamorous and exciting and into which
- they could not otherwise gain admission.
- </p>
- <p> This, incidentally, is being written by someone who has done
- more than his share of time in Liz Smith's column and a few
- others. As I write this, "Page Six" of the New York Post and
- the gossip columnist of the Washington Times have called to ask
- for details about the piece you are now reading--and "Is it
- true that it begins with a sentence about Liz Smith and the
- breakup of your marriage?" Who cares?
- </p>
- <p> None of this is to say there isn't a place for celebrity
- journalism. It can and should be fun, occasionally bitchy and
- lurid, rich in relevant information about the lives of the rich
- and famous and the accomplished. But it should be based on
- reporting. And real reporting is nothing more than the best
- obtainable version of the truth. Getting at the truth is hard
- work. It requires phone calls, knocking on doors, spending
- hours with people who know the subject and, most important of
- all, giving credence to information that might be contrary to
- a reporter's preconceived notion of the story. Real life is
- about gray; it doesn't usually follow the trajectory of the
- gossip chroniclers: soaring careers one day, plummeting
- fortunes the next. Real life is about context, and so is real
- journalism.
- </p>
- <p> Perhaps inevitably, the cloud of the new celebrity
- journalism hangs now over even the most rarefied atmosphere in
- our profession, the New York Times. Forget how confused the
- Times was about what to do with the Trump story. In that same
- week the Times also found the need to review Nelson Mandela's
- performance. SOME FIND MANDELA'S VISION LIMITED, said the
- headline, four days after the man had emerged from 27 years in
- the African Gulag. Mandela had himself become a celebrity to
- be regarded through the cynical eye of this New Journalism, the
- subject of its infectious, abbreviated tone, the obsession with
- appearance as opposed to substance. These are the warning
- signs of meltdown. Ciao, Nelson. Hello, Donald. Hello, Ivana.
- </p>
-
- </body>
- </article>
- </text>
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-